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ALESIS MIDIVERB 3 PDF

The Alesis MIDIVERB III is a high quality multi-effects unit which features up to 4 simultaneous effects (Delay, Reverb, Chorus, EQ) at a full 15KHz bandwidth. Find great deals for Alesis Midiverb III 16 Bit Simultaneous Multi Effects Processor. Shop with confidence on eBay!. REVERBS. Chorus-Reverb-Delay-EQ. Small Bright Room 1. Small Bright Room 2. Small Warm Room. Small Warm Chamber.

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User reviews: Alesis MidiVerb III – Audiofanzine

What is your opinion about the value for the price? Actually, this is tied in with the fact that Alesis used to jidiverb miniature 3.

Actually, given the multiple effects of which each of these units is capable, it is perhaps a little odd that Alesis should have stuck with the verb suffix in the naming of their products. Being designed primarily for use in studio racks, the Midiverb III is a 1U-high, 19″ rack unit with all controls situated on the front panel. It really helps – thank you!

Music Technology – Mar In a number of configurations, the Delay section is used to provide a pre-delay for the reverb to simulate the effect of very large rooms, whilst in others it is used as a conventional digital delay. Certainly, this new level of sophistication has made them a viable and cost-effective alternative for guitarists and midievrb instrumentalists – the days of dead 9V batteries and flangers taking the short way aesis the front of the stage may soon be over.

Did you find this review helpful? IN OUR RUSH to condemn the system by which we are constantly entreated to upgrade in favour of “this year’s model”, few of us, I suspect, ever spare a thought for the hapless designer whose job it is to see that we surrender to our acquisitiveness and reach for the cheque book or credit card. The second parameter, Chorus Speed, gives you control over the modulation rate of the effects – pitch in the case of chorus and time in the case of flanging.

On a more positive note, the manual contains individual block diagrams for each of the 15 configurations, and lists alesix various effects possibilities available from each. It achieves this status by virtue of being programmable – which the Midiverb II is not – but having fewer effects and a slightly less impressive spec than the Quadraverb. More on this later.

Alesis Midiverb III 16 Bit Simultaneous Multi Effects Processor

On the rear panel of the Midiverb, there are no real surprises: As explained earlier, the maximum ms delay is available only in the last two configurations 14 and 15which do not include any reverb effect. All audio inputs are high impedance for optimum signal matching to external gear, and this may include a directly connected microphone if you’re prepared to put midivsrb with a little extra noise.

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In all other configurations a delay time of ms is the most you have to work with. Too bad there is no miviverb and tremolo. I think it’s fair to say that on most multi-effects units, reverb quality provides the best yardstick by which it may be judged.

As explained earlier, the high-cut filters which form the basis of the Midiveb EQ section may be applied individually to either. Beyond that, however, I can think of little to criticise. You can send us a note about this article, or let us know of a problem – select the type from the menu above.

Having already enjoyed its second coming, the Midigerb is now on its third – so what have Alesis added to their already successful formula for ? Once again, we’re looking at a facility which has been included primarily as a means of producing more convincing reverb effects, but it does have its place in tailoring the overall sound of the unit, which for those without individual EQ controls on the effects loops on their mixing desks and so on, should prove quite useful.

Incidentally, all mapping functions are global and cannot be stored akesis individual programs. Finally, there are Signal present and Clip LEDs to provide visual indication of input levels and the onset of distortion.

The manufacturers would, I’m sure, argue that this simply represented the next logical step in reverb unit design, but I have a suspicion it had something to do with musicians and studio engineers soon realising that having 30 or 40 different reverb patches to play with sounded great, but trying to discern more than about midiveb dozen of them within the context of the average mix was damn near impossible.

And don’t forget, the judicious application of a little high frequency roll-off courtesy of the EQ section alesos provide extra interest in terms of sound colouration should it be required. Also featuring gear in this laesis.

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As with all Alesis units, the Midiverb III uses an external adaptor, which, it midivfrb be noted, provides an AC output as opposed to the DC supplied by almost every other make of equipment – so you can’t interchange adaptors. If you’re enjoying the site, please consider supporting me to help build this archive And despite its inherent limitations the delay section acquits itself too – even alesiis the ms mark, you can coax enough slapback echo and ADT effects out of it to make it earn its keep.

The overall decay of each of these effects can be adjusted using the second of the two available parameters, Decay Time. A total of 24 algorithms are available, divided equally between chorus and flanging effects.

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The last of these, EQ, though not, perhaps, an effect per se, is nevertheless highly useful on a unit such as this, as it can be applied individually to the input signal and to any of the other three effects, making it possible to determine the ‘colour’ of the reverb, for example. Yes What is the connection? Previous article in this issue: Guitar, bass Which ones do you prefer, you hate?

This kind of facility, as you might imagine, makes the Midiverb highly useful in live situations, where a player may find it difficult to move away from his or her instrument – another indication, perhaps, that Alesis were looking to extend the appeal of this unit beyond that of the home and semi-professional studio user.

Gear in this article: Misiverb satisfied with those reviews?

Alesis Midiverb III (MT Mar 90)

Whatever the reason, the user as is so often the case with mass-market equipmenthas come out on top, and with the current crop of machines offering three or four simultaneous bit stereo effects at about the same price you’d have paid for a unit with three or four different middiverb reverb patches a few years ago, there seems little for us to complain about.

I’d have thought they might be tempted to move away from the kind of name which suggests these are simply reverb units. YES many multi effct and finally got tired after having to do hacks I opted for this little gem.

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To be fair, I really think you need to look at the delay section as being included primarily to provide pre-delay for the reverb programs rather than as a fully-fledged effects section in its own right. But then, I don’t suppose Alesis need any marketing lessons from me. Finally, there’s the simple but all-important 9V socket through which the Midiverb draws its power.

To my mind it offers just the right amount of programmability for an effects unit – and if that seems to imply I think some units offer too much, I won’t attempt to deny it. The Midiverb III keeps you on the right side of that line and for that reason alone I’d recommend it wholeheartedly. The six parameters available for control are reverb decay time, reverb level, delay time, delay level, delay regeneration feedback and chorus speed – giving a total of 48 routing options together with control of modulation amplitude by either a positive or negative amount.